Except for a few scenes, the entire film is set in the garden of a large government villa, the residence of the main hero, the politician Rieger. He is a dapper, elderly man, who held the office of Chancellor for many years, but has recently been ousted and is apparently unable to come to terms with the fact. Although he tries to hide it, his world has collapsed. He is obliged to move out of the government villa and undergo the humiliating process of separating government-issue property from his own private things.
“The protagonist can’t handle change well, he stops functioning and his whole world collapses around him,” Havel said in an interview. “He responds in the worst way possible, adapting to a subordinate position that serves the new state of affairs.”
The movie is not only about an end of one politician’s career, it also reflects on the phenomena of a change in general: every second something new comes and something old irretrievably leaves and we haven’t got the slightest idea where it comes from nor where it goes. It is a classical drama theme of an end – end of a man, end of an era, end of a love.
Read more in an interview with Václav Havel for Variety:
Havel draws on life for film debut: Poet, politicial, playwright took his "Leaving" to bigscreen.
See a trailer of
"Leaving".